on bread and bendiciones
bendito sean tus manos,
says the woman to me.
blessed be your hands,
we stand still in a hallway in Miami
we stand still in a hallway in Miami
with a pale shade of midmorning
streaming in from the windows to my left,
her right,
the light now hugs the woman's cheek
and her hands in mine are like rainforests, long fingers like
palmas llaneras with their thin trunks
outstretched over a lazy river,
a hazy thing drifting by to the cry of the guacamaya,
but her palms can only be described as the color green
or the word lush
color and word first made known to me
by that most sacred motherland of Venezuela,
now reduced to a mere daydream shared by myself, the woman,
and her tropical fingers
fingers which make me yearn to curl my whole body into her hands and rest there,
to breathe in the wet Venezuelan air once more,
but, alas, I cannot, for we stand still in a hallway in Miami,
and the woman has misspoken in saying
bendito sean tus manos,
blessing my hands for giving our motherland bread.
bread, a tasteless offering,
the most humble of gifts for a land of riches hidden beneath rich soil,
deserving of only the finest things,
not bread.
but, the woman dares bless me for bread,
and I wish to scream or yank a fistful of that bendicion
from my own hands and shove it back into hers,
do not bless me, dear woman,
do not bless the sinner
who lounged in this ivory tower somewhere north of the Caribbean
for years and did not even spare a glance,
let alone bread,
for our shared mother Venezuela down below,
forsaking her who is my very life-blood.
woman, el padre nuestro himself knit me into our mother's womb
and she held me
nursed me with the fruit of the guanabana, that holy white flesh,
provided for me arepas and
hallacas and
coconuts sold through cracked car windows
and the bluest ocean, that which even poetry cannot describe
please, do not bless me,
for have you heard, dear woman, what they say about bread now in Venezuela?
the surgeon in Caracas said,
"the death of a baby is our daily bread"
let me repeat it
he said the death of a baby is our daily bread
woman, that is reason to hold someone in your tropical hands and bless them
and cry with them and
let them curl up into your palms
and breathe the wet Venezuelan air of the past
and, even for just a moment in a hallway in Miami,
let them dream of a motherland that is still the color green and the word lush
and not the sickly yellow of the present,
the shade of sallow cheeks and concave bellies and weeds on unmarked graves.
that is a good reason to hold someone like you hold me now,
but do not hold me like this, dear woman, just to bless me
for feeding the mother bread.
for it is the only thing I know how to give from north of the Caribbean,
sending it to my beloved Venezuela
and her many hands and eyes and mouths,
bleeding and crying because
they are still so hungry.

I really like the repetition you use towards the end of the poem with the lines about babies and bread. It's really effective and really adds to the poem. My favorite line was "Let me repeat it/...bread". This is a really beautiful and passionate poem :)
ReplyDeleteI love the repetition of bread throughout the poem, and how even though bread is “tasteless” and boring, it has the power to satisfy one’s hunger. My favorite line is “they are still so hungry” because they did not get the bread they needed.
ReplyDeleteOne of the aspects of your poem that I liked was your combination of English and Spanish(?) in the poem. My favorite line was "blessed be your hands" because the concept of hands and holding is a common theme throughout the poem. Another thing that stood out to me was the way you separated your lines with enjambment.
ReplyDeleteI really love this poem. Your imagery and line breaks are very impactful and it's very easy to understand the feelings you are expressing. I like the line "let them dream of a motherland that is still the color green and the word lush
ReplyDeleteand not the sickly yellow of the present," because it has amazing figurative language and I like how it repeats from above.